Body Art As Self Representation - 2074 Words

Orlan: Body as Identity ARTH 102 Yuanyuan Chen Instructor: Dr. Geoffrey Carr April 5th,2016 Body art as self representation has become more pervasive in popular culture within the past 50 years in western cultures. From the body as the model of Greek artistry to 20th and 21st century punk rock safety pins as facial art and permanent tattooing, the body is a canvas upon which artists purvey their message, whatever it may be. As such, Orlan is a fearless artist on the world stage, displaying her body as a shifting, ever changing human identity, and body art as self representation and self expression. At its core, cosmetic surgery, medical technology, physical and biochemical status of ethical issues are prevalent in modern society. Change of appearance in human development appears in one artistic expressional event after another, such as: Austronesian tattoo, tattooed, Western grant wash and circumcision, long-necked tribe neck plus a circle of copper rings, the wrapping of Chinese Ming and Qing Dynasty feet for small size, the obsessional fitness of modern society with fasting and its obsession with a set standard of female physical beauty ....... Its main purpose is nothing more than to improve the soul level, to define race, and cater to the beauty zeitgeist of the times. An external change such as surgery or tattooing often produces an unnatural experience and a period of physical and mental suffering, or continuous self-restraint before they can reach theShow MoreRelatedTattoos : Culture And Culture1485 Words   |  6 Pagesseveral pro-tattoo Americans only appreciate tatt oos for their use in body art instead of their symbolic meaning to other cultures. These Americans just attribute tattoos to identity formation and fashion. They are offended because Americans do not understand the actual culture and significance around tattoos. Except for a few Americans who connect tattoos with some symbolic relevance, the majority just like tattoos for body art. They think tattoos are only for artistic use and do not necessarilyRead MoreThe Role Of Visual Arts For Stage Interventions Into The Representation Of The Female Self722 Words   |  3 Pagesmirror in visual art, with particular reference to the portrayal of women.†¨By drawing from the field of art and literature featuring the mirror and reflection, I will be looking at how the work of contemporary women artists and photographers challenged traditional attitudes and practices. 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I shall look at the arguments for why verism came about, was it a political mechanism or simply a product of the ideology of the time? To further thisRead MoreDeborah Whaley s Black Women1423 Words   |  6 Pagesdistorted body parts; and the angry sapphire. Within the male dominated comic art world, Deborah Whaley’s Black Women in Sequence: Re-inking Comics, Graphics Novels, and Anime offers a countervision on the Black body. Women, especially Black women may welcome the book as a confirmation that their story is recognized and represented. For this audience, Whaley will explore the historical, racial, and sexual representation of Black women in sequential art pointing out the imagined Black body through interracialRead MoreThe Power of Attraction: Females in Our Westernized Country1712 Words   |  7 PagesCont emporary Art History The Power of Attraction Our contemporary world is dominated by digital representation and as a result, has fused our notion of ‘self’ with the image. Imaging technologies, such as the video, creates a â€Å"spatial distance, a gap between the subject/object†¦ This distance ‘allows the subject to treat the Other as object; in short, it makes objectification possible.† (Jones, â€Å"Self/Image† 19). The feminine subject often is trapped as the object for male viewing desire. The